Showing posts with label Tyrannosaurs Rex. Show all posts
Showing posts with label Tyrannosaurs Rex. Show all posts

Thursday, 17 January 2019

Dinosaur And Son With A Parasol - digital illustration

Dinosaur And Son With A Parasol - digital illustration

M P Davey T Rex with son and parasol illustration
digital illustration - Dinosaur And Son With A Parasol
Created during October 2018, this digital illustration features a 'take' of the famous painting by Monet, 'Woman with a Parasol/ Madame Monet and Her Son'. It is also known as 'The Stroll' and was painted in 1875. My version does not feature humans but a Tyrannosaurs Rex and dinosaur son, out for a stroll in summer in the same field. It is painted in 'Auto Sketchbook Pro', initially using an android tablet, and then later exporting the file to a desktop computer running the same painting software to produce a final version. Some time was spent studying the original painting to create similar brushmarks and use of colour and light, as painted originally by Monet.

The digital illustration can be seen here in detail.

Monday, 17 December 2018

Dinosaur and son with a parasol - WIP stages

Dinosaur and son with a parasol - WIP stages

T rex with child Monet the stroll painting Martin Davey
'Dinosaur and son with a parasol' in stages, based on the Monet painting.
'Dinosaur and son with a parasol' illustration was completed during October 2018. It is based on the famous impressionist painting by Monet - 'Woman with a parasol', painted in 1875 in oils. My version which has a Tyrannosaurs Rex as the mother, with her son beside was painted digitally using 'auto Sketchbook pro' software. 'Wet oils' were used to help create brush strokes that blended together almost like natural paint, and done could make the paint drier and heavier on some chosen strokes.
The first panel shows the drawing done using the software using a galaxy tablet with 'S' pen. This was then roughly painted to mimic the original painting. Then the file (in PSD format) was exported to a windows 10 machine running the same software, but the image was enlarged by about 6 times and repainted more carefully, with time taken to look at Monet's brush strokes and try to copy the general feel of the original. I did not actually sample the colours off the original, but just went by eye.
The final illustration can be seen here.