Showing posts with label drydock. Show all posts
Showing posts with label drydock. Show all posts

Monday, 20 November 2023

Plein air painting 78

Plein air painting 78

drydock boat artwork M P Davey

In drydock, resting out of water, was this nicely kept boat with glossy wood and paintwork. The location is Shamrock Quay, Northam, Southampton. The nearby river is the Itchen where a hint of water can be seen. Moving to the background the Itchen bridge can be seen on the right hand side and the recent development involving blocks of flats at Woolston can be seen on the left.
Painted early one October morning on mounting board, sized at 12" x 9.5", in oils.

Saturday, 15 May 2021

Plein air painting 15

 Plein air painting 15

boat on stilts still life painting M P Davey
A boat on jacks at a boat yard is the subject of this plein air painting sketch, done in late September 2020. Shamroack Quay in the city of Southampton is the boat yard location, on the banks of the River Itchen. The river is quite wide at this stage as shown and the suberb of Woolston can be seen in the distance with newly built tall flats. The marine artwork is done on mounting board sized at 12" x 10".

M P Davey boat yard plein air art

 

Sunday, 2 June 2019

Men At Northam Southampton Boat Yard - WIP stages

Men At Northam Southampton Boat Yard - WIP stages

marine landscape dry dock Hampshire painting
WIP stages of boats at a Northam boat yard oil painting.
The Northam area of the city of Southampton in Hampshire, features a number of boat yards as it is located on the river Itchen. This painting, completed in January 2019 features a scene of a drydock with men preparing to use a crane to place a boat in to the river from the dry land.
The picture above shows a number of stages of how the painting was created. The first stage shows the drawing which is done with dark, brown acrylic paint on top of a wash of a similar colour. The dark tones within the scene are painted in as are very light in tone subjects, such as the sky, using white acrylic paint. The middle panel shows work moved on where now oil paint has been used to indicate the underpainting, often in darker hues of the final intended colours, and is achieved by using diluted, thin paint. Detail is still quite basic at this stage. The last panel features the final, finished artwork. It can be seen that the colours are now correct, having been applied with thick oil paint and also details regarding the surfaces and lighting, are now included.
The painting can be seen on this link.