Plein air painting 98a
The plein air landscape art was done in oils on mounting board, sized at 12" x 9.5".
This is the Blog of artwork by Martin Davey. The artwork is a mixture of digital illustrations created in Photoshop, and paintings created on canvas using oil and acrylic paint media. The entries give some idea of the dates of completion, and influences and inspirations if any. The work is not listed in any particular order or time frame though generally the more recent work is at the start of the blog. My two main websites are www.martindaveyfineart.co.uk, and www.martindaveyillustration.co.uk.
Painted on the same day as the previous post (a) is a view from exactly the same spot but turned to look across the river Hamble/ Southampton water. Here can be seen a ship docked near to the Fawley oil refinery on the edge of the New Forest, Hampshire. This painting was done in oils on a small (8" x 7") piece of mounting board.
![]() |
This plein air oil sketch shows a mundane view of a couple of lifebuoy rings, one much larger than the other, on a mooring post. The location is a boat yard on the banks of the River Itchen, in Southampton, Hampshire. When the painting was started the weather was sunny but later started to rain so it had to be abandoned. I made a note of the time it was done and the sunny weather and came back a week or two later when the weather was the same, and at the same time so as to complete the sketch. It is painted on a piece of primed mounting board during September 2020.
![]() |
The setting on the River Itchen |
![]() |
WIP of sunset marine scene set in Hampshire |
This painting shows a marine scene in the city of Southampton, UK. The area is populated with old boat wrecks, some sunk and some still floating but taken over by people living on them.
The first panel shows the scene drawn with acrylic brown paint on a lighter brown wash. White paint is used to indicate some lighter areas in tone, for instance the sky. Moving on to the second panel, colour has been added using diluted oil paint, applied thinly to indicate areas of colour. Detail is not worked on at this stage as this is an underpainting layer, due to be painted over.. After a week the paint is dry so more paint is added on top. This time the paint is a lot thicker, with virtually no thinners mixed in, and the colour is a truer version of the final required vibrancy and tone. Also the brushwork is a lot finer and detail is added at this stage. Lastly the final panel shows the completed painting. This last stage also included a layer of glazing on top, which is like a thin amount of paint suspended in a lot of transparent oil medium, used to emphasize colour. It is similar to placing tinted glass or a coloured photographic filter on top of the artwork.
The painting was done during late summer 2020 and sized at 16” x 20”, and can be seen in greater detail on this link.