Showing posts with label southampton docks. Show all posts
Showing posts with label southampton docks. Show all posts

Sunday, 17 July 2016

Marwell Zoo Zany Zebra campaign 2016 update 14

Marwell Zoo Zany Zebra campaign 2016 update 14

The 'Zany Zebra' trail in Southampton officially started on the 16 July. I have not taken 'proper' pictures of my two Zebra creations in place as yet but I did snap the 'Seafaring Zebra', a design using ships and boats and sponsored by Associated British Ports. As the Zebra was standing in the company of a large cruise ship it was a good opportunity not to miss!
#zebra #artist #Southampton #ships #ZanyZebra
ABP zany zebra with cruise ship
'Seafaring Zebra' at the waterfront, Southampton

Wednesday, 29 June 2016

Loading ships Southampton Docks - water color sketch

Loading ships Southampton Docks - water color sketch

This sketch was done during an afternoon in June with the weather going from cloudy to sunny quite frequently. It shows a scene at Southampton east docks with two large 'box' like ships loading up with cars. The ship in the distance is moored on a an angled section of the dock. The closer one has its stern straight on and the ramp is connected to it for driving cars on or off.  All the cars are held in a purpose built multi storey car park, shown on the right, for a temporary period until transported away from the docks, or on to the ship for export. The red  'blob' is not a funnel but an emergency life boat that is shot away from the ship when launched in an emergency. The small water colour painting is just under A4 size and done on cheap paper.
Southamptons  ABP docks ships loading art
Ships loading at Southampton east docks - water colour sketch

Thursday, 8 August 2013

Go! Rhino. Creating a Rhino for Go Rhino.

Go! Rhino. Creating a Rhino for Go Rhino.

The City of Southampton has been invaded by Rhinos!
Well actually they are not real ones, but 3D fibre glass ones painted by local artists and schools. Marwell Zoo is behind the initiative 'Go! Rhinos' to help with the protection of wildlife. Each Rhino has been sponsored by a company or organisation. After their public display on the streets of Southampton, the Rhinos are due to be auctioned off and the proceeds put toward wildlife protection, plus two local charities.
The Rhinos are on display around the City from July 13 to 22 September. There are 36 large rhinos, painted by local artists to see on the 'GoRhino' trail, plus around 80 smaller ones painted by local schools, which can be found in many shops and public buildings in the City. The Rhinos are all beautifully painted and look great on the streets. I'm pleased to say that the public, especially, children, seem to be enjoying them. I often see children cuddling them or having their picture taken by, or under them!
Finished Rhino in place at the Town Quay
I was commissioned to paint a Rhino and I took the theme of the Southampton skyline, which in one direction is dominated by the large cranes working at the Docks. There are several types of cranes. Some are used for general cargo, some with containers and one distinctive design is a floating crane. I thought that this would make an interesting design theme for a Rhino as it incorporates something that everyone in the city has seen in reality but not pictured as an artwork. It was decided to make the skyline be seen as a silhouette against an evening sky. This would make it easier to paint and give the design more 'punch'. Some famous buildings were added in to the skyline, such as the SeaCity museum, and the clock tower of the Civic Centre, in which the actual clock became the Rhinos eye. The sky was kept as one shade of orange to keep things simple. Stars were added as were clouds to add interest. The dark red clouds had highlights on them to help 'crispen' up the design and add contrast to the silhouette cranes and other details.
left-proposal drawn in photoshop on top of photographic template. Right-working plan with grid.

It took just over a week to do and I was quite worried about doing something as large as this. The painting was done at the Marlands Shopping Centre, in the company of other Rhinos at various stages of  completion. I usually paint at quite smalls scales on canvas. Painting one of these Rhinos is more like a DIY job!
I used household paint and masting tape to try to get straight lines. Because of the technical nature of the cranes, I needed to paint them reasonably accurately, particularly as it was to be sponsored by DP World, and Associated British Ports, the owners of the dock cranes. I initially started with drawing a grid over my design in photoshop. This grid was them carefully mapped out on to the rhino, so that I did not have to do much guesswork and freehand drawing on the Rhino of these complicated shapes. Each colour had several coats of paint, and after completion several coats of varnish were applied. The paint was matt, but once the varnish was applied the colours sprang in to life and made the design look dynamic!
More about the project and Marwell zoo can be found here, www.gorhinos.co.uk
Painting under way at the Marlands Shopping Centre.

Front and rear views of the Rhino with artist for scale.

Studio shot of the completed Rhino

Tuesday, 30 October 2012

Southampton Docks from Weston shore winter sunset

Southampton Docks from Weston shore winter sunset

Southampton Docks from Weston shore winter sunset oil painting

Southampton Docks from Weston shore winter sunset

This oil painting was created in the summer of 2012. It is painted on canvas sized at 20”x 16”. The setting is the docks at the port of Southampton (UK), as seen from Weston Shore. The paintings shows a large “Wallenius Wilhelmsen” car transportation ship docked beside a large grain silo, a landmark on the entrance to the port. The oil painting is based on a crude photograph taken with a mobile phone during the early part of January 2012, during the last moments of daylight on a sunny, winters day. There were a number of people walking along the stony beach at Weston Shore. The tide was out and I placed a figure in the scene to help give the setting a sense of scale. The scene is quite bleak, cold and largely in silhouette and a large part of the composition is given over to the dramatic sky. It was painted in oils because of the requirement of painting this large area smoothly.

Photography Prints